Residential

Saavli

Saavli is a residential tower concept for Pune made of shade, a bare concrete frame filled with brick and brick jaali, repeated twelve times and finished by the people who live in it.

Location
Pune
Category
Concept
Services
Architecture
Area
48 flats, 2 BHK, about 77.5 m² carpet each; stilt+12 floors, 40.2 m to the terrace (7,488 m²)
Capacity
48 flats

The brief

We drew Saavli to answer one question: could a residential tower in Pune be simple and economical to build, and still be beautiful? The concept holds 48 flats of 2 BHK, about 77.5 m² carpet each, on stilt+12 floors, 40.2 m to the terrace.

Concept render of the brick and concrete-frame tower and its rooftop solar canopy, seen from above the plot
The plot from the south-west, evening.

The site

Saavli has no texture paint, glass railings, aluminium fins or grills. The job was to spend almost nothing on an applied facade and still give every flat shade, privacy and through-ventilation.

The concept takes a 58 × 44 m plot with no basement. Cars park under the stilts and under trees in the margins, and a grove of neems fills the forecourt.

Concept render of the tower from across the street: exposed concrete frame, brick jaali and a canopy of concrete fins
From across the street, winter evening, sun from the west-south-west.

The design

The exposed concrete frame is the facade. Columns at 3.5 m and slab edges at 3 m make a grid you can read from the street, and the concrete comes off its aluminium formwork finished, to be sealed and never painted. The infill is rat-trap bond, laid the way Laurie Baker laid it, with bricks on edge round a cavity. The jaali is the same bond with bricks left out.

Shade comes before glass. The south verandahs are 2.6 m deep and act as the sunshade: winter sun crosses them into the rooms, and from March to September no direct sun reaches the south glass. Residents finish the facade, hanging bamboo chiks at any height and planters along the verandahs, so no two floors look alike and each flat sets its own shade. In naturally ventilated buildings, people tolerate a wider range of temperatures than the standard comfort model predicts, and de Dear and Brager (1998), who showed it, put it partly down to adjustments of this kind.

Each flat runs the full 16 m depth, with the verandah to the south and a balcony to the north. Two cores each serve two flats, so there are no corridors, and the stairs breathe through jaali, with no fans or pressurisation. Every landing opens to the south as an ota with a bench, facing the lifts, with the stair behind it. Everyone on the floor passes it, and Festinger, Schachter and Back (1950) found that this kind of shared path shaped friendships in student housing at MIT: people who lived by a stairway had more friends on other floors.

On the roof, the columns rise through the terrace to hold a thin canopy of concrete fins carrying 88 kWp of solar panels, with a shaded terrace underneath for the whole building.

Concept render of the ota on an open landing where the brick jaali throws a chequered pattern of sunlight
The ota on a landing, winter midday.
Concept render of a living room with a rat-trap bond brick wall, looking out to the verandah
Living room on level 7, December, 9 am.

Materials and structure

Nothing is applied. The concrete is fair-faced, straight from aluminium formwork, with its panel joints and tie holes left to show. The walls are rat-trap bond in wire-cut brick, and the jaali is the same brick. Residents buy and change their own split bamboo chiks, and the floors are kota stone. The RCC frame has expressed slab edges, with the brick infill and jaali panels tied to it.

Concept render of brick jaali screens and bamboo chiks set in the exposed concrete frame
The brick jaali screen up close, levels 5 to 9.

How it would be built

One floor plate repeats twelve times: every column, slab edge, door and screen is the same on every floor. A buildable revision, Rev B, answers the fire officer and the structural engineer and looks almost the same. An RCC band at 1.2 m, cast into the columns, caps the jaali parapets and holds each brick panel on three sides, and bed-joint mesh and mid-span mullions brace the tallest screens. Bamboo burns, so the chiks are aluminium. The end walls are solid brick, verandah floors fall to a drain at the jaali, and a 6 m fire-tender loop runs round all four sides.

Concept render: one bay of the buildable revision, levels 6 to 8, orthographic
Buildable revision (Rev B). One bay, levels 6 to 8, orthographic.

Status

Saavli is unbuilt; these are concept renders. What still has to be settled: marginal distances for 40.2 m under UDCPR on a real plot; a structural engineer’s design of the jaali panels, bands and mullions, with a load test on a mock-up bay; the fire officer’s view on open otas as refuge areas and on aluminium chiks; and whether the parking meets the requirement for 48 flats plus visitors.

Concept render of the shaded roof terrace under the concrete fins of the solar canopy
Under the solar canopy on the roof, evening.

Reading

  • de Dear, R. J. and Brager, G. S. (1998). Developing an adaptive model of thermal comfort and preference. ASHRAE Transactions, 104(1), 145–167.
  • Festinger, L., Schachter, S. and Back, K. W. (1950). Social Pressures in Informal Groups: A Study of Human Factors in Housing. New York: Harper.
At dusk, lit from inside.The tower at dusk, flats lit behind the brick jaali
South elevation, orthographic.South elevation, the concrete frame filled with brick jaali and verandahs
Buildable revision (Rev B). The plot with its fire-tender loop.The buildable revision's plot from above, with its fire-tender loop
Buildable revision (Rev B). From across the street, winter evening.The buildable revision (Rev B) from across the street, with solid end walls
Buildable revision (Rev B). RCC bands and aluminium chiks, levels 5 to 9.RCC bands on the jaali parapets and aluminium chiks, levels 5 to 9
Buildable revision (Rev B). South elevation, orthographic.South elevation of the buildable revision

Planning a home? Tell us about it, or call the studio on +91 70280 35858.

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